In 1968, MIT Professor Stephen Benton transformed holography by making three-dimensional images viewable under white light. Over fifty years later, holography’s legacy is inspiring new directions at MIT CSAIL, where the Human-Computer Interaction Engineering (HCIE) group, led by Professor Stefanie Mueller, is pioneering programmable color — a future in which light and material appearance can be dynamically controlled.

Whether you’re an artist, advertising specialist, or just looking to spruce up your home, turning everyday objects into dynamic displays is a great way to make them more visually engaging. For example, you could turn a kids’ book into a handheld cartoon of sorts, making the reading experience more immersive and memorable for a child.

3D printing has come a long way since its invention in 1983 by Chuck Hull, who pioneered stereolithography, a technique that solidifies liquid resin into solid objects using ultraviolet lasers. Over the decades, 3D printers have evolved from experimental curiosities into tools capable of producing everything from custom prosthetics to complex food designs, architectural models, and even functioning human organs. 

When the IEEE International Conference on Robotics and Automation (ICRA) first convened 40 years ago, the robotics community shared a clear vision: robots would one day combine elegant mathematical models with advanced computation to handle complex tasks. Four decades later, the community is divided over how to reach that goal. That divide was on full display this May in Atlanta, where ICRA marked its anniversary with a unique closing keynote: a live Oxford-style debate on whether “data will solve robotics and automation.”

M.C. Escher’s artwork is a gateway into a world of depth-defying optical illusions, featuring “impossible objects” that break the laws of physics with convoluted geometries. What you perceive his illustrations to be depends on your point of view — for example, a person seemingly walking upstairs may be heading down the steps if you tilt your head sideways.

AI image generation — which relies on neural networks to create new images from a variety of inputs, including text prompts — is projected to become a billion-dollar industry by the end of this decade. Even with today’s technology, if you wanted to make a fanciful picture of, say, a friend planting a flag on Mars or heedlessly flying into a black hole, it could take less than a second. However, before they can perform tasks like that, image generators are commonly trained on massive datasets containing millions of images that are often paired with associated text. Training these generative models can be an arduous chore that takes weeks or months, consuming vast computational resources in the process.

When ChatGPT or Gemini gives what seems to be an expert response to your burning questions, you may not realize how much information it relies on to give that reply. Like other popular artificial intelligence (AI) models, these chatbots rely on backbone systems called foundation models that train on billions or even trillions of data points.

MIT’s Computer Science and Artificial Intelligence Laboratory (CSAIL) has announced a new direction for its long-standing FinTech research initiative, now FinTechAI@CSAIL, to highlight the central role artificial intelligence is playing in shaping the future of finance.